ChordGitar.in
+ Submit Chord
cloud_off Offline mode. Songs saved in Pocket remain accessible.

Slow To Rise

tune Versi Studio
John Splithoff verified
Key: A
110 BPM
Standard
↓ - ↓ ↑ - ↑ ↓ ↑
verified Studio
🎸 Original Version Easy Chords
Transpose ?
0
Notation
Capo ?
Instrument
speed
screen_lock_portrait
Easy Chord Tip: No capo — use open A chord shapes. Pelajari Smart Capo →
lock_clock

Batas Kuota Harian Tercapai

Alat Workstation Panggung

CHORD DIAGRAMS
volume_up Click chord to hear sound
tune Transposed: semitones
Found an error in chord or lyrics for this song?

info About This Song

Song Fundamentals
Key A (A Major)
Tempo / BPM 110 BPM (Approx.)
Tuning Standard
Time Signature 4/4
Difficulty Level Advanced
Capo Position No Capo
Chord Count 10 Unique Chords
Genre Nyc
graphic_eq
Strumming Pattern ↓ - ↓ ↑ - ↑ ↓ ↑
Time Signature 4/4
auto_awesome
Slow To Rise by John Splithoff is played in the key of A. Progresi ini menciptakan pergerakan harmoni alami: A (I) sebagai Tonic (Pusat Nada/Stabil), diikuti Bm7 (ii) sebagai Supertonic (Subdominant/Penghubung), diikuti F#m7 (vi) sebagai Submediant (Relatif Minor/Melankolis), diikuti E (V) sebagai Dominant (Tensi Kuat Menuju Tonic), diikuti D7 (IV) sebagai Subdominant (Gerak Maju/Tensi Sedang), diikuti C#m7 (iii) sebagai Mediant (Tonic/Pewarna), diikuti D (IV) sebagai Subdominant (Gerak Maju/Tensi Sedang), diikuti Bm (ii) sebagai Supertonic (Subdominant/Penghubung).
analytics Analisis harmoni & progresi dihitung secara komputasional berdasarkan dataset transkripsi chord ChordGitar.in.

account_tree Chord Progression Analysis

Harmonic Progression
Progression Pattern (Roman Numerals)
I – ii – vi – V – IV – iii – IV – ii – vi – IV
Song chords:
star Primary Chords (Song Foundation)
A Bm7 F#m7 E

Chords that repeat most frequently throughout the verse and chorus.

more_horiz Auxiliary / Transition Chords
D7 C#m7 D Bm F#m Dsus2

Used as harmonic transition variations in intro, bridge, or outro.

tune Why Use a Capo?

Capo & Sounding Key
Sounding Key A Acoustic pitch of original recording
No Capo sync_alt Raises the pitch of open strings
Fingering Shape Key A Open chord finger positions

The song is played in its original key of A without a capo.

lightbulb Alternative Capo Positions for This Song:

piano Chord Family A

Diatonic Matrix

This song is built on the key of A. Here are the 7 diatonic chords (Chord Family) that harmonize according to music theory:

I A Tonic
ii Bm Supertonic
iii C#m Mediant
IV D Subdominant
V E Dominant
vi F#m Submediant
vii° G#dim Leading

speed Difficulty Level: Advanced

Difficulty Determinants for This Song:
check_circle Uses 10 unique chords throughout the song
check_circle Requires 5 barre chord shapes (Bm7, F#m7, C#m7)
check_circle Requires extended harmonic variations (Dsus2)
check_circle Capo on fret 2 is recommended for optimal finger comfort
dna MUSICAL DNA:
KEY: A • TEMPO: 110 BPM (Approx.) • PROG: I – ii – vi – V – IV – iii – IV – ii – vi – IV • DIFF: 5/5 • CAPO: 0

help Easy Chord Guide & FAQ Slow To Rise

FAQ & Tips

quiz How to play the easy chords for Slow To Rise (John Splithoff)?

To play the Easy Chords for Slow To Rise, toggle the Easy Chords button above the workstation canvas. This version is designed with beginner-friendly open chords to make transitions easier without barre chords.

quiz What are the basic guitar chords and original key for Slow To Rise?

The original recording key for Slow To Rise by John Splithoff is A. You can use the Transpose (+ / -) feature anytime to adjust the pitch to match male or female vocal ranges automatically.

quiz Is audio sync and auto-scroll available for practice?

Yes, ChordGitar.in features touch-free Auto-Scroll with speed control, as well as an integrated player so your tempo and rhythm practice stays precise.

info Video playback is restricted by the content owner outside YouTube.
Open on YouTube →

Slow To Rise - John Splithoff

Official Audio

0:00 0:00

Listen to official audio for Slow To Rise by John Splithoff on streaming platforms:

play_circle YouTube Spotify
Slow To Rise expand_less

More Songs by John Splithoff verified

Guitar chords collection and other chords from John Splithoff.

View All (7 Songs)

Sing to You

KEY B

John Splithoff

Medium
• Capo 4
Play arrow_forward

Leave It All Behind

KEY E

John Splithoff

Medium
• Capo 4
Play arrow_forward

Raye

KEY FM

John Splithoff

Advanced
• Capo 1
Play arrow_forward

Standstill

KEY B

John Splithoff

Medium
• Capo 4
Play arrow_forward

Steady

KEY B

John Splithoff

Advanced
• Capo 4
Play arrow_forward

WGYG

KEY AM

John Splithoff

Beginner
Play arrow_forward

Recommended Chords in Nyc Genre music_note

Collection of guitar chords from other musicians Nyc that are frequently played.

Explore Nyc

Sex Sounds

KEY EB

Lil Tjay

Intermediate
Play arrow_forward

Hold On

KEY AM

Lil Tjay

Easy
Play arrow_forward

Double Take

KEY AB

Dhruv

Advanced
Play arrow_forward

Swim Home

KEY G

Cautious Clay

Medium
Play arrow_forward

Noise

KEY D

Zsela

Advanced
• Capo 2
Play arrow_forward

For Now

KEY BB

Zsela

Advanced
• Capo 3
Play arrow_forward

Song DNA & Harmonic Similarity dna

Multi-Vector Match

Songs with the most identical harmonic structure, chord progression, root key, and tempo to this song.

Wonogiri Nyekseni

60% Match

BoloNdeso

insights Identical Harmonic Progression (I – ii – vi – V – IV – I)
Key C Capo 2
Play arrow_forward

Try

57% Match

Jesse Barrera

insights Identical Harmonic Progression (I – ii – vi – V – IV – I)
Key G Capo 2
Play arrow_forward

We Had Everything

55% Match

BROODS

insights Identical Harmonic Progression (I – ii – vi – V – IV – I)
Key C
Play arrow_forward

Let

53% Match

Pinegrove

insights Identical Harmonic Progression (I – ii – vi – V – IV – I)
Key G
Play arrow_forward

Maafkanlah Aku

49% Match

Cut Intan Zuhra

insights Identical Harmonic Progression (I – ii – vi – V – IV – I)
Key C Capo 2
Play arrow_forward

Alhamdulillah

49% Match

Yoga Vhein

insights Harmonic Key Match (Key A)
Key A Capo 2
Play arrow_forward

tune More Theory & Harmonic Matches

Explore songs matching this progression (I – ii – vi – V – IV – iii – IV – ii – vi – IV), key (A), and fingerings.